|michael Simon fluted yunomi|
I took this picture of one of my current rotation pots for Scott Cooper, stalwart blog supporter! I thought I should also say a warm "Thank You" to Scott and reader Stephen Dean, who were kind enough to comment on Friday's post. Scott requested a detailed pic of this cup and Stephen asked for an expanded explanation of why those pots are in my current rotation shelf. So here is a #mugshotmonday post for you guys!
First, a prerequisite, please read this brief Coffee Break post
The pots on the shelf are a mix of function/utility, inspiration, and conservation. Some of the pots are here in my studio because they are precious to me and I don't want them to be in our household, because they might get broken, yet I want to keeps these pots from drying out, so they are here where I can use them and protect them.
When I get a new cup, of course I like to try it out and hoard it from the family. Sometimes I am successful and wisk the pot away to the studio before it gets into my wife's car and lost to her office! It's all fair in love and pots, though, I guess. ;-)
This cup, made by M.Simon was a gift from Michael in 2005 when I was recovering from my hand accident and it was in one of Michael's last firings in Colbert, GA. It has quite a range of color from the tessha glaze over the white slip. The salt has flashed the side you can see in this picture, while the other side of the pot
|maroon iron red on Michael SImon yunomi|
has a beautiful maroon iron red that wasn't fluxed in the same way as the saltier side. In lay-terms, the pots's hues vary depending on its exposure to the salt vapors in the kiln during the firing. The more salt the surface was exposed to/glazed with, the more yellow.
The inside of the pot has a pale shino glaze with a teeny tiny crackle that has been stained by countless cups of tea and coffee.
Another intriguing element of this pot is the size. It is smaller than I might make a yunomi. I like more "real estate" to carry a particular surface design so I make a slightly larger cup. But in reality this cup holds an ample amount of beverage, about 6 oz. I think the proportions are right on! It feels great in my hand and is very pleasant to drink from, most likely from its "English" drinking rim.
I guess, mostly though, this pot represents the love I have for the man and his pots. Pottery has a way of connecting people, make to maker, maker to user.
Last Fall I spent a really special weekend with Michael at the Designed and Crafted Pottery Invitational that he curated. It was so great to reconnect and talk pots. Michael also told me of his desire to cast bronze vessels in the near future. I can't wait to see what he does. [Design and Crafted will return again this October in Atlanta. I'll announce the dates and location when it is announced.]
I'm sure there will be other posts about this pot in the future as it continues to reveal itself through time and use.