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192 Jim Boone Rd
Bakersville, NC, 28705
United States

828-675-4097

The central information hub for Michael Kline Pottery, a small one man shop of pottery making in the mountains of western North Carolina.

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The Best of Sawdust and Dirt

A record of the goings on around Michael Kline Pottery!

Filtering by Tag: influence

One Rather Long Ramble: Or Am I Going To Ever Going To Get Back to the Wheel?

Michael Kline

Somehow it all makes sense I guess. There are things in your life that have their influence on you, people, pots, and finger paintings! I just saw this drawing as I was putting together this morning's post and thought, "oh, that's interesting." It could be that I'm drawing conclusions or implying that this drawing has influenced me in some subconscious way when really it just hangs on the door that we go in and out of all through the day. Now I'm confusing myself. Anyway you can draw your own conclusions or draw your own finger painting, or just draw!


When I was at Highwater Clays the other day I bought a bag of Grolleg kaolin for my #6 Tile kaolin slip. Go figure. I call it T6 slip, but it has a little bit of Grolleg in the recipe. It's a recipe I got from Linda Christianson somewhere down the road. It worked really well, so why change a good thing? Well that bag of Grolleg kaolin was $44! Yes, I know it is from England. Yes I know it probably one of the world's best clays. But come on!! I tell myself that it's just a small portion of the recipe and the bag will last a long time. But come on! I putting it on dirt! Oh well. If it works is there a reason to fix it?

[In researching this post, it turns out that all dry materials have gone ¡way! up. Did you notice this, or am I just a little slow to catch on? The Grolleg is actually ¡cheaper! than the #6Tile!! See for yourself...]

I digress.

Where were we?

Oh yes, I pour the slip on the slabs, spin the bat that the slab is on, and then comb away.


Here is the hump mold just after I have shaped a dish. You can still see the ghost image of the combed slip. Below are the molded dishes aprés Bandana. Stacey thought they looked too much like Michael and Naomi's pots. I said, "Oh good!!" I don't think she knew that it was covers week here at the pottery. And what would be so wrong about that, anyway? I guess this idea of originality is a problematic one for us potters.

I also saw some nice doodlings from Dylan Bowen. You can see for yourself. It's a doodle thing! (aka what goes around, comes around)

On to more formal thoughts, or more well formed thoughts, anyway. [damn, ever since Simon's post yesterday, I've been trying to be as clever, sorry, I'll leave the irony to Mr. Levin]

Here is a bottle/vase/call-it-what-you-will, on a specially made chuck for trimming. This series of pots started out as a cover of the Bruce Gohlson "big gulp" yunomi the other day and by the second board of 'em it had morphed into this shape. To see the bottle/vase just hold your monitor upside down, or stand on your head, or scroll down, whatever is more fun, or easier, your choice...
The cup shape grew into a vase shape quite naturally.

Here are a couple that asked for ears!

After that I was back at the treadle wheel for some more trimming. I took the still soft chuck I used for the bottle/vases and reshaped the top to accommodate the MSimon cup covers! The updated chuck's effectiveness was marginal but it worked and I got them done.



The feet were tricky. I soon found that I had looked closely at the finished fired cup when throwing these, but hadn't looked closely enough at the foot. For most of these I had left too much clay in bottoms which needed a lot careful tweaking to get the cups where they wanted to be. A process that made the feet look a little overwrought. Most of them were taller and narrower in proportion than the original.

This one had the nice profile, a decent weight, and the foot was close, but a far cry from Mr. Simon's. The scale is a little off.

;-)

The scale is one of the things I like about Michael's cup. It's volume is very specific to my coffee in the morning or a good gulp of water. My version will hopefully find a home where it is "just the thing".

For me, it's back to the drawing board, or rather, back to the wheel! It's getting on noon and here I am at a keyboard!


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Every Man a Rembrandt

Michael Kline


While I was sitting here painting my invites, I was telling Evelyn about my love of paint by number when I was a kid. As I was explaining, I looked this up. It's a pretty amazing story. Taken from the web site:
The making of the fad is attributed to Max S. Klein, owner of the Palmer Paint Company of Detroit, Michigan, and to artist Dan Robbins, who conceived the idea and created many of the initial paintings. Palmer Paint began distributing paint-by-number kits under the Craft Master label in 1951. By 1954, Palmer had sold some twelve million kits. Popular subjects ranged from landscapes, seascapes, and pets to Leonardo da Vinci's The Last Supper. Paint-kit box tops proclaimed, "Every man a Rembrandt!"
As far as I know I'm not related to Mr. Klein, but you never know, do you?
I've also been a great fan of geological survey maps ever since I can remember, and upon looking at illustration above I can see why I loved paint by number.

Maybe you like paint by number too?

Early Influence

Michael Kline


Way back in the early nineties I came across a catalog of a show that was given to my friend Mark Shapiro. The catalog was in German and I had long forgotten any German I had learned as a three year old living in Germany. Yet the pictures were very inspiring and, little did I know, the images of Roman Scheidel painting in this little book had the single biggest influence on my approach to surface in my pottery ever since.

catalog cover

tiles painted with wax resist


By some miracle I found this catalog recently while packing my old studio. I thought I had lost it. So I took a few pictures to give you an idea of what I am talking about. I have wanted to post them at an appropriate time and since I am in the midst of some decoration work, now is the time. Also I found his web site and you can see better images here of Mr. Scheidel's work, and if you read German you're in luck.
After seeing this catalog I commenced to learn all about painting with wax resist and using plant imagery. I wasn't quite ready to do figurative work as Scheidel had in the work, but I loved the beautiful brushwork of leaf imagery.


Roman Scheidel is an Austrian artist who is mostly a painter, but is also interested in dance and ceramics. In this catalog it is clear that he is working with a potter, Felix Vogler, to make the ceramics.