Get in touch!

Use the form on the right to contact Michael Kline!

192 Jim Boone Rd
Bakersville, NC, 28705
United States


The central information hub for Michael Kline Pottery, a small one man shop of pottery making in the mountains of western North Carolina.

Thanks for visiting.

The Best of Sawdust and Dirt

A record of the goings on around Michael Kline Pottery!

Filtering by Tag: decisions

Recap Pt. I

Michael Kline

It's not easy cramming all of the stuff that happened in the last few days into one post. Maybe I'll spare you.

Where to begin?

The Sunday firing had already been delayed for a day and couldn't be pushed back any further. The pots I needed to paint and glaze were everywhere. Inside and outside of the shop, in piles. It was pretty intimidating. I usually take at least 4 days to do the work, but reasonably it takes 5 or 6. This time I had 3! You can imagine the picture I would post if I had it. The picture of me sitting there at my bench with my brushes and all of those pots with a look not unlike a deer on my face. It's in those moments when I wish I could just dip the pots and be done.

After the painting, came the glaze-a-thon on Friday which went into early early Saturday a.m. I wouldn't recommend this approach to anyone, but it's what had to be done, unfortunately. My palette of glazes has to be divvied up not only for the sake of variety, but also for technical reasons. Some places in the kiln are hotter/cooler than others, some places get more salt fuming/glazing than others, etc. So it's hard to keep up with all of this stuff in head, but somehow I intuit all of this stuff. Maybe that is why I use a limited palette, just one slip and 3 glazes.
Throughout the process, I get new ideas about pattern, color, and various combos. The brushwork evolves, although it seems to evolve at a slower pace than before in these circumstances. One of the hazards from working under such pressure is that I paint impulsively. This can also yield some pretty fresh deco, too. Quick and spontaneous. I was pretty happy with the painting and deco ideas.

Maybe that's enough for tonight. I'm still pretty spent from the work. I'll continue tomorrow with the loading and firing.

z z z z z z z z z z z z z z z z z z z z z z z Night Night.

The Winners

Michael Kline

The process of choosing pots for shows, or merely looking at the pots you have just fired can be an extremely challenging task. As many have noted the expectations that a potter must put to good use in collaboration with the mind's eye as he/she decorates and glazes their work is a trickster. In the end the gut instinct, the pot that you reach for instinctively is sometimes the best in the eyes of the beholder. Although it may be difficult to assess just by looking at an image on a screen, certain key reactions are valid if not as complete an experience as holding a pot in one's hands.
The process of choosing pieces for an exhibition is usually a difficult one for me. I try to balance the group of pots against the individual favorites. I have all kinds of rationalizations that are put into play, just to make a few 'simple' decisions. This blog vote was a first for me, maybe in pottery bloggery history. I don't know. I wish there had been more votes and maybe I should have made it more anonymous, maybe next time. The candidates for the vote all made the cut, in my opinion. But to choose the five to sent, I thank you for helping me narrow the field. Here are the pots that I shipped this morning.

I'll keep you posted about the online Yunomi Show at AKAR. It opens Friday March 27th at 10 a.m.

Thanks for helping. I'll definitely do this again.